Stevie Wonder, Musikladen, Bremen. January 23, 1974.
Drums: Ollie E. Brown, guitar: Mike Sembello, Marlo Henderson, bass: Reggie McBride, singers: Deniece Williams, Lani Groves, Shirley Brewer.
Stevie Wonder, Musikladen, Bremen. January 23, 1974.
Drums: Ollie E. Brown, guitar: Mike Sembello, Marlo Henderson, bass: Reggie McBride, singers: Deniece Williams, Lani Groves, Shirley Brewer.
Try stuff. Make your best stab and keep stabbing. If it’s there in your heart, it will eventually find its way out. Or you will give up and have a prudent, contented life doing something else.
Chris White, “Lydia the Tattooed Lady,” Yip Harburg, Harold Arlen, 1939.
Lafayette Afro Rock Band, Soul Makossa (US: Movin’ and Groovin’), Musidisc, 1974.
Any sufficiently complicated dynamically typed program contains an informally-specified, bug-ridden implementation of half of a type system.
Organization is not just some anal-retentive habit; it is literally the best way to make connections that would not happen otherwise.